Liza minelli cabaret costume3/30/2023 ![]() “He starts off by saying he wants to be like Balenciaga or a couturier, he wants to be an artist. “In a story that’s so much about him and the singularity of him, in the end he ends up being an artist again,” Minahan said. By the fall of that year, Halston would officially be gone from the label that bore his name. Although far less known than his career-making looks, the draped costumes bore many of the hallmarks of his style. The designer’s public life - and the miniseries - come to a close with the costumes he designed for the production of “Rite of Spring” by longtime friend and supporter Martha Graham. ![]() And we really went to a glass foundry and worked with glassblowers to re-create the bottle.” Liza Minnelli You get to see her find the shell on the beach and then you get to see it become this bottle. So we get to see his genius, we get to see him making things and why he is who he is and then all the crazy people around him. “Because I do think it shows a story about creative process, or we use creative process to tell the big story. ”The creation of the bottle in the third hour, that’s very interesting,” he said. Minahan said there was a purpose behind focusing on the perfume packaging. is recounted in the series’ third episode and serves as a harbinger of things to come. ![]() His insistence on the design - in conflict with the brand’s owner, Norton Simon Inc. The bottle itself may have been designed by Elsa Peretti (portrayed in the series by Rebecca Dayan, who started her own very successful career designing jewelry pieces that appeared in his runway shows), but it marked Halston’s first major brand extension. Penney collection, to give us an opportunity to show his creative process and his creative genius and then all of the maelstrom of the drama around him.” “So each episode is, like, the first collection, or it’s the creation of the fragrance, or it’s the Battle of Versailles, or the J.C. “My idea was to structure it around all the different collections or creations of Halston,” Minahan said. Turning it into a five-part series allowed the narrative to stretch over multiple periods of Halston’s life, Minahan said. Initially conceived as a feature film, with some false starts along the way, it evolved into a limited series at the suggestion of Minahan’s producing partner on the project, Christine Vachon of Killer Films. ![]() It seemed like a really archetypal American story.” “The hook for me was this idea of someone coming to New York, creating this made-up name, building it into an empire and then being stripped of his name and company - he couldn’t be Halston anymore. “I read it and I was so struck by it that I started reading other things about Halston and this world,” Minahan said. The genesis for “Halston” would take shape years later, in his 20s, after reading Gaines’ Vanity Fair article that later developed into “Simply Halston.” “Halston,” premiering Friday on Netflix, is a passion project 20-some years in the making for executive producer and director Dan Minahan, whose fascination with the New York scene inhabited by Andy Warhol, Liza Minnelli, Halston and Victor Hugo came from reading Interview magazine and After Dark magazine as a gay kid in the suburbs of Connecticut. Whatever the reason, Halston’s life seems to be perennially ripe for exploration in books (including Steven Gaines’ “Simply Halston”) and documentaries (most recently in 2010 and again in 2019). Or maybe it’s because the dramatic arc of his career from anonymity to high-flying celebrity designer to scandal-page fodder makes him seem like a victim of Me Decade cancel culture. Maybe that’s because his career, now more than three decades in the rearview mirror, still feels so contemporary, both in terms of his aesthetic - riffs on his shirtdress are everywhere and when haven’t caftans been a thing? - and his business strategy - including the once-novel concepts of brand extensions and diffusion lines. Halston, the mononymous American fashion designer whose stripped-back, body-freeing take on luxury - caftans, halter dresses and acres of Ultrasuede - was a defining look of the ’70s, continues to fascinate.
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